We’re finally out of the non-narrative chapters! Enough about whale anatomy, lets get back to story, shall we? Or, at any rate, some interesting disconnected incidents which the Pequod had while sailing about the ocean.
This one is pretty lengthy, and pretty thrilling. It’s one that never makes it into the filmed adaptations, which is a shame because it’s so very dramatic. Then again, there hasn’t been one since the advent of CG, you could really do it justice now. Of course, Moby Dick is probably unfilmable, or would require more of a broad TV approach to really do justice.
Ahhhhh, good to be back. And today, Ishmael has graced us with a fascinating chapter, with plenty of huge, sinewy subject matter to sink our teeth into.
Yes, this chapter is another one describing the anatomy of the whale, but there are some, uh, very interesting tangents, shall we say. Perhaps a bit revealing of our old friend Ishmael? Who could say, I can only speculate.
This week’s chapter is, as they say, a doozy. Not that it is especially long, but it is dense, and comes to a surprising conclusion at the end. We’re back to pure non-narrative stuff, pontification on the nature of whales, in this case a specific part of their biology: the breath. This one requires a bit of cutting through the underbrush of 19th century vocabulary, but if you can manage that, it’s quite fun. Continue reading “Chapter 85: The Fountain”→
Ah, after a couple of chapters of non-narrative philosophizing, we get back to a bit of whale hunting.
This one is kind of tricky, I’m not sure if I’m really going to be able to wring a lot of philosophical meaning out of it, but there is a mystery to be solved. Namely: what the heck is pitchpoling, actually? Let’s get into it. Continue reading “Chapter 84: Pitchpoling”→
There are many chapters that are a slog, a real downright trudge through sentences chock-a-block with antiquated vocabulary, but others? A real joy to sit down and digest after a long week in this, the longest year of my life. Let’s get into it! Continue reading “Chapter 83: Jonah Historically Regarded”→
Ah, sometimes this book can get a bit repetitive. But it can be hard to tell if that’s the book’s fault, or mine for reading it so many times. I would say that Moby Dick is a kind of… mixed masterpiece. It is not a sort of perfect clockwork thing, where every spring and cog fits together in some flawless and immaculate design. No, it’s more of a great pile of ideas, rudely shaped into something transcendent. Here is another piece, for your perusal. Continue reading “Chapter 82: The Honor and Glory of Whaling”→
Enough of this reflection and philosophizing, it’s time for more action!
I do wonder if Melville was a bit self-conscious in writing this book, aware that he was a bit too heavy on the high-minded discourse, when his audience was expecting more of a rollicking action-adventure yarn. After all, his most successful previous books, Typee and Omoo were more in that vein. Thus, the sudden shift in tone here, to a good ol’ fashioned whale hunt. Continue reading “Chapter 81: The Pequod Meets The Virgin”→
Now that the choking, toxic smoke in the air of Seattle has been replaced with the more traditional water, I find myself in a writerly mood once again. And a readerly one, I suppose. A torrential downpour outside does tend to push one towards cozier pastimes, I find. Continue reading “Chapter 80: The Nut”→
Ah, it’s been a little while, and this is not exactly an ideal chapter to come back with, though it is an interesting one. I’ve been having a bit of a depressive episode and lost myself in Final Fantasy XIV for a couple weeks, due to… *gestures broadly at the world*. As I sit here, the world outside my window blanketed with poisonous fog and haunted by the specter of a deadly virus, it feels somewhat frivolous to write about some 150-year-old book about whales. And yet, I shall, since I don’t really have anything better to do with my time. Continue reading “Chapter 79: The Prairie”→
Yes, after a few chapters in a row of straight philosophizing, Ishmael has deigned to give us some more Things That Actually Happened on his fateful whaling voyage. I often wonder how much of the initial poor reception of this book would have been mitigated if Melville mixed these two modes of writing together more evenly. I remember hearing that it went narrative and non-narrative every other chapter, but that’s obviously not true.