So, during my hiatus from this blog, I took the opportunity to… not read much of anything, actually. I’ve been watching a lot of movies during the pandemic, playing lots of Final Fantasy XIV, but not doing a lot of reading.
However, recently I did actually pick and finish a new book. It happened to come to my attention through a largely unrelated podcast, Scream Scene, which covered an adaptation of a different novel from the same author, The Vampire Moth. I learned that Seishi Yokomizu’s classic mystery novels were just now being translated into English, so I figured I’d try one out. I went on an Agatha Christie binge a few years back, I’m no stranger to detective fiction.
(Since the stories I’m writing about are mysteries, I’ll do my best not to spoil them)
Yes, I’m catching up on stuff I’ve been reading over the summer. This is the most recent book I’ve finished, actually, so it’s a bit more fresh in my mind than the Pelican Brief. This time, the book is one I’ve read before, thought it was a very long time ago, when I was but a small child. My dad used to read books to me and my brother, and Redwall and Mossflower were among them. I read a few of the later entries in the series on my own, but soon fell off, replacing it with Discworld in my heart.
It would be rather odd if it was, since I only read a few chapters a week, and they’re usually not very long, and for months I wasn’t even updating this blog! No, while I haven’t been reading as much as usual lately, since I’m not working at the Pike Place Market for obvious reasons, I have been pecking away at some books before bed every night.
In the spirit of one of my favorite podcasts, I decided to make some posts about ’em. Just the usual reflections, but on a whole work instead of a little piece of it. It’s not a formal review, just some stray thoughts and observations, more in the style of my Moby Dick posts.